Exult in God

Exult in God: Palestrina’s Exultate Deo (Sacred Music for Easter)

While music has grown in technique and complexity since then, even the greatest composers of past 500 years haven't been able to surpass the sheer musical loveliness of the works of polyphonic composers such as Victoria, Tallis, Byrd, and Palestrina.

“Hallelujah” from Beethoven’s Christ on the Mount of Olives

We tend not to associate the word "hallelujah" with those penitential seasons. In Christ on the Mount of Olives it signifies the climactic moment when Christ says, "Not my will, but ours, be done" (Luke 22:42). This is when he commits himself to his passion and death on the cross. That, in turn, will lead directly to the triumph of Easter. Now that calls for a "Hallelujah!"

Hidden Treasure: Mascagni’s Easter Hymn (Music for Easter Monday)

 This lovely piece of music is a little like the Treasure Hidden in a Field form Jesus' parable (see Matthew 13:44) . . . It's a nice reminder that grace breaks through even in the ugliest of circumstances.  

O Sacred Head Surrounded: A Hymn For Holy Week:

What's not as well known is that Bach is author of neither the basic melody nor the words. The composer merely incorporated into his composition (with some significant adaptation) what was already a familiar hymn called O Haupt voll Blut und Wunden ("O Head Full of Blood and Wounds"). The music, which dates from about the year 1600, was composed by Hans Leo Hassler.

“Erbarme Dich” from St. Matthew’s Passion by J.S. Bach

Erbarme Dich, mein Gott Yesterday was the fifth Sunday of Lent, the beginning of Passiontide. The liturgical prayers and observances of the Church are building ever more urgently to the climax of the Triduum. Today's musical selection, my second-to-last Lenten music post, is from what is perhaps the greatest musical composition created for the penitential … Continue reading “Erbarme Dich” from St. Matthew’s Passion by J.S. Bach

abundant mercy

Abundant Mercy – Lotti’s Miserere (Music for Lent)

King David had used trickery and deceit to send Uriah the Hittite to his death.  He had, in fact, murdered his loyal soldier in order to hide his own adultery.  Tradition tells us that David composed Psalm 51 as an expression of sorrow and repentance for the wicked deed. We often refer to the psalm as the Miserere ("Have mercy") because that's its first word in the Latin Vulgate Bible.