Giuseppe Sarti "Now the Powers of Heaven" Giuseppe Sarti Those of us in the West who have heard of the Italian composer Giuseppe Sarti most likely know about him through the tribute paid by another composer. In Mozart's Don Giovanni Don Juan listens to an air from Sarti's opera Fra i due litiganti il terzo … Continue reading Giuseppe Sarti ‘Now the Powers of Heaven’ and Rublev ‘Holy Trinity’
Spiritual Warfare: Agnus Dei from Haydn’s Missa in Tempore Belli
Spiritual Warfare Spiritual Warfare has been a theme in a number of my posts. For good reason. While the struggle "against the principalities, against the powers, against the world rulers of this present darkness, against the spiritual hosts of wickedness in the heavenly places" (Ephesians 6:12) is always with us, it has been causing more … Continue reading Spiritual Warfare: Agnus Dei from Haydn’s Missa in Tempore Belli
Glorifying God: Scarlatti’s “Exultate Deo” and “Jesus Christ the Returning King”
Glorifying God It’s only natural that the children of a loving Father should try to please and honor him. And so for the past two thousand years, Christians have put untold effort, ingenuity and love into creating a magnificent store of inspiring art of all sorts to glorify God, including a treasury of sacred … Continue reading Glorifying God: Scarlatti’s “Exultate Deo” and “Jesus Christ the Returning King”
“Gloria” from Wanhal’s Missa Solemnis
It's hard to overstate how much beautiful, excellent music has been created over the centuries, and how much of it is rarely heard by the vast majority of people. Last week I published a clip of a "Kyrie" composed by Johann Baptist Wanhal. Wanhal was an important and influential composer of the late 18th and early 19th … Continue reading “Gloria” from Wanhal’s Missa Solemnis
Hidden Treasure: “Kyrie” From Wanhal’s Missa Pastoralis
Wanhal and his beautiful compositions are indeed hidden treasure. Thanks to the work of the Wanhal Association and others, Wanhal's beautiful work, both sacred and secular, is slowly making its way back into public view.
Monteverdi’s ‘Nisi Dominus’: Arrows in the Hand of a Warrior
Nisi Dominus: Unless the Lord Builds the House . . . Claudio Monteverdi (1567-1643) was probably the most important composer in the transition from Renaissance Polyphony to Baroque. This beautiful piece from his Vespers composition, Vespro della Beata Vergine (1610), is a musical setting for Psalm 127 (sometimes listed as Psalm 126). This particular psalm (printed … Continue reading Monteverdi’s ‘Nisi Dominus’: Arrows in the Hand of a Warrior
Infinite Trinity, Finite Minds
So you and I are in good company if we find TheTrinity challenging. Fortunately, even if the philosophical explanations elude us, we can know the Triune God through the experience of Faith. Thanks be to God. And after all, isn't through experience, and not intellect, that we come to know love?
The Pentecost Sequence
The Pentecost Sequence Today would be Monday in the Octave of Pentecost in the traditional liturgical calendar. Although the Octave of Pentecost has not been observed in the Ordinary Form of the Mass since 1969 (for more on this liturgical change, with feeling, see HERE and HERE on Fr. Z's blog), it would be a shame … Continue reading The Pentecost Sequence
Fickle Fame and Salieri’s “Gloria”
Fickle Fame Antonio Salieri, by Joseph Willibrord Mähler, 1815 Fickle Fame is a confounding thing. It's often the way that a well-regarded artist falls out of fashion. Despite the worthiness of his or her work, the artist is forgotten by subsequent generations. Even truly great artists can meet this fate: The 16th century poet John … Continue reading Fickle Fame and Salieri’s “Gloria”
Lobet Gott in Seinen Reichen (from Bach’s Ascension Oratorio)
Ascension Thursday This coming Thursday is the Solemnity of the Ascension of the Lord . . . at least in many dioceses. And of course, wherever the traditional liturgical calendar is followed. It may not surprise you, if you are a regular reader of this blog, that I'm not a fan of moving important feasts like … Continue reading Lobet Gott in Seinen Reichen (from Bach’s Ascension Oratorio)