Subversive Beauty

Subversive Beauty: Byrd’s Credo for Four Voices 

I suppose I should mention that, in the midst of it all, he wrote some incredibly beautiful music. The excerpt below, for instance, from his Mass for Four Voices. This is one of a large number of Catholic liturgical pieces Byrd composed in the 1590's and 1600's for use in illegal (and quite hazardous) Masses at the home of his patron, Sir John Petre.

The Attraction of Sanctity and Holy Innocents: 4th Day of Christmas

 As I observed in my recent posts on St. Servulus, St. Nicasius, and St. Anastasia, lesser observances are often overwhelmed during great celebrations such as Christmas and Easter.

Crucifixus Etiam Pro Nobis: Lotti’s Musical Meditation on the Crucifixion

The Crucifixion, by Giambattista Tiepolo & Giandomenico Tiepolo, 1745–50 Crucifixus etiam pro nobis sub Pontio Pilato: Passus, et sepultus est. (Nicene Creed)   Crucifixus Etiam Pro Nobis Crucifixus etiam pro nobis: He was also crucified for us. That brief statement in the Nicene Creed refers to one of the two most important events of all … Continue reading Crucifixus Etiam Pro Nobis: Lotti’s Musical Meditation on the Crucifixion

Our Goal is the Resurrection: Ain’t No Grave

Our Goal is the Resurrection Rejoice, Jerusalem, and all who love her. Be joyful, all who were in mourning; exult and be satisfied at her consoling breast.  (Introit for the 4th Sunday of Lent)   Our Goal is Almost in Sight      Why rejoice in the middle of Lent?  Isn't Lent a solemn and penitential season? And haven't … Continue reading Our Goal is the Resurrection: Ain’t No Grave

Fear and Hope: Confutatis and Lacrimosa from Mozart’s Requiem

Fear and Hope are the twin themes of the "Confutatis and Lacrimosa" from Mozart's Requiem. If thou, O LORD, shouldst mark iniquities, Lord, who could stand? But there is forgiveness with thee, that thou mayest be feared. I wait for the LORD, my soul waits, and in his word I hope . . . (Psalm … Continue reading Fear and Hope: Confutatis and Lacrimosa from Mozart’s Requiem

The Drama of Sin and Repentance (or not) From Mozart’s Don Giovanni (Music Monday)

Hell is a real possibility for all of us.  It's not a happy thought, but it's an appropriate introduction to today's Music Monday selection, our last musical offering before Ash Wednesday.  It's not really sacred music, but it is very relevant indeed to the Lenten themes of sin, repentance (or not), and damnation.  This is the finale* of Mozart's opera Don Giovanni (a.k.a. Don Juan), one of the most powerful scenes in the history of musical drama.