Sixty human generations or more have passed since Aurelius Prudentius first published hymn IX of his Liber Cathereminon. We still sing it today as the Christmas hymn "Of the Father's Love Begotten."
Wonder at the Incarnation: O Magnum Mysterium
"O Magnum Mysterium" - I've often thought that, however amazing it is that God could create this immeasurable universe, there's something much more astounding: He chose to become one of us . . .
2nd Sunday of Advent: Lo, How A Rose
Root of Jesse 2nd Sunday
Subversive Beauty: Byrd’s Credo for Four Voices
I suppose I should mention that, in the midst of it all, he wrote some incredibly beautiful music. The excerpt below, for instance, from his Mass for Four Voices. This is one of a large number of Catholic liturgical pieces Byrd composed in the 1590's and 1600's for use in illegal (and quite hazardous) Masses at the home of his patron, Sir John Petre.
The Attraction of Sanctity and Holy Innocents: 4th Day of Christmas
As I observed in my recent posts on St. Servulus, St. Nicasius, and St. Anastasia, lesser observances are often overwhelmed during great celebrations such as Christmas and Easter.
Small Beginnings: 4th Sunday of Advent
How can it be that the Firstborn of All Creation was born again as a little human baby? A baby lying in a manger out of which animals feed? From small beginnings . . .
Fickle Fame and Salieri’s “Gloria”
Fickle Fame Fickle Fame is a confounding thing. It's often the way that a well-regarded artist falls out of fashion. Despite the worthiness of his or her work, the artist is forgotten by subsequent generations. Even truly great artists can meet this fate: The 16th century poet John Donne was largely unknown until another poet, … Continue reading Fickle Fame and Salieri’s “Gloria”
I Rejoiced! Monteverdi’s “Laetatus Sum”
The New Testament, as St. Augustine pointed out, is concealed in the Old, and the Old Testament is revealed in the New. And, here, beautifully put to music.
Sacred Music: Allegri’s Adoremus in Aeternum
Sacred music is a topic near and dear to my hear. More importantly, it is dear to the heart of the Church. Consider what the Second Vatican Council had to say . . .
Crucifixus Etiam Pro Nobis: Lotti’s Musical Meditation on the Crucifixion
The Crucifixion, by Giambattista Tiepolo & Giandomenico Tiepolo, 1745–50 Crucifixus etiam pro nobis sub Pontio Pilato: Passus, et sepultus est. (Nicene Creed) Crucifixus Etiam Pro Nobis Crucifixus etiam pro nobis: He was also crucified for us. That brief statement in the Nicene Creed refers to one of the two most important events of all … Continue reading Crucifixus Etiam Pro Nobis: Lotti’s Musical Meditation on the Crucifixion