While music has grown in technique and complexity since then, even the greatest composers of past 500 years haven't been able to surpass the sheer musical loveliness of the works of polyphonic composers such as Victoria, Tallis, Byrd, and Palestrina.
“Hallelujah” from Beethoven’s Christ on the Mount of Olives
We tend not to associate the word "hallelujah" with those penitential seasons. In Christ on the Mount of Olives it signifies the climactic moment when Christ says, "Not my will, but ours, be done" (Luke 22:42). This is when he commits himself to his passion and death on the cross. That, in turn, will lead directly to the triumph of Easter. Now that calls for a "Hallelujah!"
Hidden Treasure: Mascagni’s Easter Hymn (Music for Easter Monday)
This lovely piece of music is a little like the Treasure Hidden in a Field form Jesus' parable (see Matthew 13:44) . . . It's a nice reminder that grace breaks through even in the ugliest of circumstances.
Something Strange is Happening: Holy Saturday
Something Strange Something strange is happening—there is a great silence on earth today, a great silence and stillness. The whole earth keeps silence because the King is asleep. These are the opening sentences of the non-scriptural reading in today’s Office of Readings. Tradition calims St. Melito of Sardis as the author, but we don't know … Continue reading Something Strange is Happening: Holy Saturday
The Mournful Mother: Pergolesi’s “Stabat Mater”
Over the course of twenty verses the hymn draws us into the suffering of Mary, and through her suffering into the suffering of Christ himself.
“Erbarme Dich” from St. Matthew’s Passion by J.S. Bach
Erbarme Dich, mein Gott Yesterday was the fifth Sunday of Lent, the beginning of Passiontide. The liturgical prayers and observances of the Church are building ever more urgently to the climax of the Triduum. Today's musical selection, my second-to-last Lenten music post, is from what is perhaps the greatest musical composition created for the penitential … Continue reading “Erbarme Dich” from St. Matthew’s Passion by J.S. Bach
Music for Lent: When Jesus Wept
Jesus weeps, he cries real tears and feels real sorrow. He experiences the fullness of human sorrow, just as he will soon experience real and excruciating pain and anguish on The Cross.
Attende Domine: More Music for Lent
It is the cry of repentant sinners imploring God's forgiveness: Attende Domine, et miserere, quia peccavimus tibi: literally, "Take heed, Lord, and have mercy, for we have sinned against you."
Abundant Mercy – Lotti’s Miserere (Music for Lent)
King David had used trickery and deceit to send Uriah the Hittite to his death. He had, in fact, murdered his loyal soldier in order to hide his own adultery. Tradition tells us that David composed Psalm 51 as an expression of sorrow and repentance for the wicked deed. We often refer to the psalm as the Miserere ("Have mercy") because that's its first word in the Latin Vulgate Bible.
Drama of Repentance: Pergolesi’s Miserere
Here the urgent, dramatic orchestration pulls us down into King David's turbulent emotions as he comes to acknowledge his sinfulness and his need for God's mercy.