Gabriel's Annunciation and Mary's Renunciation Therefore the Lord himself will give you this sign:the virgin shall be with child, and bear a son,and shall name him Emmanuel,which means “God is with us!” (Isaiah 7:14) Gabriel's Annunciation There's something that doesn't seem to make sense at first in today's Gospel reading (Luke 1:26-38). Here's the … Continue reading Gabriel’s Annunciation and Mary’s Renunciation
The Spirit of Lent: Two Choruses from Handel’s Messiah
The Spirit of Lent Surely he has borne our griefs and carried our sorrows; yet we esteemed him stricken, smitten by God, and afflicted. But he was wounded for our transgressions, he was bruised for our iniquities; upon him was the chastisement that made us whole, and with his stripes we are healed. (Isaiah 53:5-4) Capturing the … Continue reading The Spirit of Lent: Two Choruses from Handel’s Messiah
You’re Standing on Holy Ground
God said, “Come no nearer!Remove the sandals from your feet,for the place where you stand is holy ground. (Exodus 3:5) The Burning Bush I was fascinated by the image of the burning bush when I was a little boy. I was also intrigued by God's demand that Moses remove his sandals. What exactly is "holy … Continue reading You’re Standing on Holy Ground
Fear and Hope: Confutatis and Lacrimosa from Mozart’s Requiem
Fear and Hope are the twin themes of the "Confutatis and Lacrimosa" from Mozart's Requiem. If thou, O LORD, shouldst mark iniquities, Lord, who could stand? But there is forgiveness with thee, that thou mayest be feared. I wait for the LORD, my soul waits, and in his word I hope . . . (Psalm … Continue reading Fear and Hope: Confutatis and Lacrimosa from Mozart’s Requiem
The Drama of Sin and Repentance (or not) From Mozart’s Don Giovanni (Music Monday)
Hell is a real possibility for all of us. It's not a happy thought, but it's an appropriate introduction to today's Music Monday selection, our last musical offering before Ash Wednesday. It's not really sacred music, but it is very relevant indeed to the Lenten themes of sin, repentance (or not), and damnation. This is the finale* of Mozart's opera Don Giovanni (a.k.a. Don Juan), one of the most powerful scenes in the history of musical drama.
Cons or Coeds? Sin, Suffering, and the Mystery of the Cross
Who would you expect to be more open to conversion, prison inmates, or students at a Catholic college? "It's not even close," was the priest's reply.