Claudio Monteverdi (1567-1643) was probably the most important composer in the transition from Renaissance Polyphony to Baroque. This beautiful piece from his Vespers composition, Vespro della Beata Vergine (1610), is a musical setting for Psalm 127 (sometimes listed as Psalm 126). This particular psalm (printed in full below the music video) has always resonated with me. … Continue reading Monteverdi’s ‘Nisi Dominus’: Arrows in the Hand of a Warrior
A Tribute Vice Pays to Itself, or, The Joy of Getting Gelded
The celebrated 17th century wit François de La Rochefoucauld once opined, “hypocrisy is a tribute vice pays to virtue”. In other words, we lie about what we are doing because we’re wise enough, at least, to be ashamed of it. What can we say, however, about an age that knows no shame?
Who Are Those Cheering People? Palm Sunday/Passion Sunday
There’s something a little unsettling about Palm Sunday. It appears that the same people who welcome Jesus as a victorious king at the beginning of the week are screaming for his death by its end. The liturgy reminds us of this incongruity by putting Palm Sunday and Passion Sunday together (at least in the Ordinary Form; … Continue reading Who Are Those Cheering People? Palm Sunday/Passion Sunday
Confession, Jonah, and the Prodigal’s Sons
I had never before considered how closely Jesus’ parable of the Prodigal Son parallels the last two chapters of the book of Jonah, but the comparison is striking. In the Old Testament book Jonah is sent to warn the people of Nineveh to repent their sins, or face the wrath of God. The Ninevites listen to the words of the prophet: like the Prodigal Son himself, they whole-heartedly repent, and in turn receive God's whole-hearted forgiveness. Who could object to that? As it turns out, Jonah could, and does, object . . .