A Hymn For Holy Week: O Sacred Head Surrounded

   J.S. Bach's magnificent St. Matthew Passion is perhaps the most prominent musical composition that we associate with Lent. The most well-known part of the St. Matthew Passion itself is the "Passion Chorale", which  often appears a hymn called  "O Sacred Head Surrounded", or "O Sacred Head, Now Wounded."        What's not as well known is that Bach is … Continue reading A Hymn For Holy Week: O Sacred Head Surrounded

Who Are Those Cheering People? Palm Sunday/Passion Sunday

There’s something a little unsettling about Palm Sunday.  It appears that the same people who welcome Jesus as a victorious king at the beginning of the week are screaming for his death by its end. The liturgy reminds us of this incongruity by putting Palm Sunday and Passion Sunday together (at least in the Ordinary Form; … Continue reading Who Are Those Cheering People? Palm Sunday/Passion Sunday

Music for Lent: J.S. Bach’s “Erbarme Dich” (from St. Matthew’s Passion)

Yesterday was the fifth Sunday of Lent, the beginning of Passiontide: the liturgical prayers and observances of the Church are building ever more urgently to the climax of the Triduum. Today's musical selection, my second-to-last Lenten music post, is from what is perhaps the greatest musical composition created for the penitential season, Johann Sebastian Bach's … Continue reading Music for Lent: J.S. Bach’s “Erbarme Dich” (from St. Matthew’s Passion)

Confession, Jonah, and the Prodigal’s Sons

I had never before considered how closely Jesus’ parable of the Prodigal Son parallels the last two chapters of the book of Jonah, but the comparison is striking. In the Old Testament book Jonah is sent to warn the people of Nineveh to repent their sins, or face the wrath of God. The Ninevites listen to the words of the prophet: like the Prodigal Son himself, they whole-heartedly repent, and in turn receive God's whole-hearted forgiveness. Who could object to that? As it turns out, Jonah could, and does, object . . .

Stabat Mater (Pergolesi)

    One of the greatest of Marian hymns is the Stabat Mater, written (most likely) in the 13th century.  It's authorship is unknown; it has been attributed to Pope Innocent III  (1160-1216) or, somewhat more plausibly, the Franciscan Jacopone di Todi (c.1230-1306), although both are doubtful.        The hymn itself begins with Mary at the scene of the Crucifixion: Stabat … Continue reading Stabat Mater (Pergolesi)

Pergolesi’s Miserere – Monday Music for Lent

This is a very different musical interpretation of Psalm 51 than we saw last week in Allegri's Miserere.  In Allegri's composition the intensity of the soaring, unaccompanied voices lead us to contemplation of the Divine Mercy of God in Heaven. Here the urgent, dramatic orchestration pulls us down into King David's turbulent emotions as he comes … Continue reading Pergolesi’s Miserere – Monday Music for Lent