In pursuit of an illusory freedom we have cut ourselves off from the experience of our ancestors (racist, rigid, old, dead, etc.) and don't even seem to have noticed that at the same time we have cut ourselves off from reality. It's not all up to us. We can't invent ourselves, we can't, as U.S. Supreme Court Justice Anthony Kennedy notoriously opined, "define [our] own concept of existence, of meaning, of the universe, and of the mystery of human life." A proper appreciation of what we have been given by our predecessors helps us understand our reliance on what has been given to us by God as well (which is one of the main ideas behind this blog). If, like Esau, we listen to our appetites of the moment and disregard everything else, we will lose our own birthright . . . forever.
Exult in God with Sacred Music and Art: Alessandro Scarlatti’s “Exultate Deo” and “Jesus Christ the Returning King” by Janusz Antosz
It’s only natural that the children of a loving Father should try to please and honor him. And so for the past two thousand years, Christians have put untold effort, ingenuity and love into creating a magnificent store of inspiring art of all sorts to glorify God, including a treasury of sacred music unmatched for … Continue reading Exult in God with Sacred Music and Art: Alessandro Scarlatti’s “Exultate Deo” and “Jesus Christ the Returning King” by Janusz Antosz
“Gloria” from Johann Baptist Wanhal’s Missa Solemnis
It's hard to overstate how much beautiful, excellent music has been created over the centuries, and how much of it is rarely heard by the vast majority of people. Last week I published a clip of a "Kyrie" composed by Johann Baptist Wanhal. Wanhal was an important and influential composer of the late 18th and early 19th … Continue reading “Gloria” from Johann Baptist Wanhal’s Missa Solemnis
Liturgy Wars: What’s Latin Got To Do With It?
Who would have expected the Glorified Body of Christ, the eternal perfected Body, to include the horrible wounds inflicted on the flesh-and-blood human body here on Earth?
Rossini-Agnus Dei (Petite Messe Solennelle)
Giaochino Rossini Giaochino Rossini was, in his time, considered the most successful composer of operas in history, creating such enduring favorites as The Barber of Seville, La Cenerentola, and William Tell. Then, having composed an astounding 39 operas before his 37th birthday in 1829, he simply stopped. For the rest of his life, until his … Continue reading Rossini-Agnus Dei (Petite Messe Solennelle)
Monteverdi’s ‘Nisi Dominus’: Arrows in the Hand of a Warrior
Claudio Monteverdi (1567-1643) was probably the most important composer in the transition from Renaissance Polyphony to Baroque. This beautiful piece from his Vespers composition, Vespro della Beata Vergine (1610), is a musical setting for Psalm 127 (sometimes listed as Psalm 126). This particular psalm (printed in full below the music video) has always resonated with me. … Continue reading Monteverdi’s ‘Nisi Dominus’: Arrows in the Hand of a Warrior
‘Nisi Dominus’: Arrows in the Hand of a Warrior
Nisi Dominus from Monteverdi's Vespro Della Beata Vergine * Nisi Dominus: Unless the Lord Builds the House . . . Claudio Monteverdi (1567-1643) was probably the most important composer in the transition from Renaissance Polyphony to Baroque. This beautiful piece from his Vespers composition, Vespro della Beata Vergine (1610), is a musical setting for Psalm 127 … Continue reading ‘Nisi Dominus’: Arrows in the Hand of a Warrior
A Brief Visit to Hell
Who wants to talk about Hell? Just about nobody, and we can hardly blame them - why dwell on something as, well, hellish, as eternal torment? Many people, both inside and outside the Church, only mention the Abode of the Damned at all in order to discount it. At the same time, we don't have the luxury of … Continue reading A Brief Visit to Hell
Panis Angelicus: Friar Alessandro Sings St. Thomas Aquinas’ Eucharistic Hymn
"The Temptation of St. Thomas" by Diego Velazquez, 1632 St. Thomas Aquinas was a Dominican, one of the greatest of all philosophers, and arguably the greatest of Catholic theologians; we tend to think of him as a pretty cerebral fellow. And so he was. At the same time, he did have his poetic side, which … Continue reading Panis Angelicus: Friar Alessandro Sings St. Thomas Aquinas’ Eucharistic Hymn
“Gloria” from Salieri’s Mass in B Flat
The truth is that, while Salieri was no Mozart, he was a good and well-respected composer in his time, and a much sought-after teacher (among his pupils were Mozart's own son Franz Xaver, as well as Franz Liszt, Franz Schubert, and Ludwig Von Beethoven). The lovely piece below is the "Gloria" from Salieri's Mass in B Flat, one of his four Masses.