Who would have expected the Glorified Body of Christ, the eternal perfected Body, to include the horrible wounds inflicted on the flesh-and-blood human body here on Earth?
Rossini-Agnus Dei (Petite Messe Solennelle)
Giaochino Rossini Giaochino Rossini was, in his time, considered the most successful composer of operas in history, creating such enduring favorites as The Barber of Seville, La Cenerentola, and William Tell. Then, having composed an astounding 39 operas before his 37th birthday in 1829, he simply stopped. For the rest of his life, until his … Continue reading Rossini-Agnus Dei (Petite Messe Solennelle)
Practical Apologetics: The Geometry of Faith
outside.” Those of us who have been out and now are in (back in, for some of us) know how true it is. And it stands to reason: as both a worldly and a spiritual entity, the Church cannot be contained within purely physical bounds.
Music Monday- ‘Dark Night of the Soul’ by Ola Gjeilo
My Monday Music selections are usually compositions from the treasury of Catholic sacred music, some of them centuries old. There are still some composers even today, however, who are composing music worthy of that tradition. A couple months ago I posted a setting to the "Te Deum" by Pedro Camacho. The words to the hymn … Continue reading Music Monday- ‘Dark Night of the Soul’ by Ola Gjeilo
Finding the Future in the Past: Why The Latin Mass is not Going Away
The scene is a parish church. A congregation has assembled for Sunday Mass. The opening hymn begins with a grand flourish. The celebrant processes into the church amid alleluias and mighty blasts from the organ. We reach a mini-climax. The music ends. Then, there is a moment of silence while the celebrant adjusts his microphone. He smiles. And what … Continue reading Finding the Future in the Past: Why The Latin Mass is not Going Away
Monteverdi’s ‘Nisi Dominus’: Arrows in the Hand of a Warrior
Claudio Monteverdi (1567-1643) was probably the most important composer in the transition from Renaissance Polyphony to Baroque. This beautiful piece from his Vespers composition, Vespro della Beata Vergine (1610), is a musical setting for Psalm 127 (sometimes listed as Psalm 126). This particular psalm (printed in full below the music video) has always resonated with me. … Continue reading Monteverdi’s ‘Nisi Dominus’: Arrows in the Hand of a Warrior
“Gloria” from Salieri’s Mass in B Flat
The truth is that, while Salieri was no Mozart, he was a good and well-respected composer in his time, and a much sought-after teacher (among his pupils were Mozart's own son Franz Xaver, as well as Franz Liszt, Franz Schubert, and Ludwig Von Beethoven). The lovely piece below is the "Gloria" from Salieri's Mass in B Flat, one of his four Masses.
Sacred Music: The Pentecost Sequence (Gregorian Chant)
Today, in the traditional liturgical calendar, would be Monday in the Octave of Pentecost. Although the Octave of Pentecost has not been observed in the Ordinary Form of the Mass since 1969 (for more on this liturgical change, with feeling, see HERE and HERE on Fr. Z's blog), it would be a shame to let so … Continue reading Sacred Music: The Pentecost Sequence (Gregorian Chant)
Palestrina’s “Veni Creator Spiritus” and Maíno’s “The Pentecost” from San Pedro Mártir
We are now in the last week of the Easter Season. Christ has ascended to Heaven, and we are awaiting the coming the Holy Spirit at Pentecost. In anticipation of that ancient feast, often called the Birthday of the Church, our Music Monday selection is Palestrina's "Veni Creator Spiritus." The Latin Hymn "Veni Creator Spiritus" itself dates … Continue reading Palestrina’s “Veni Creator Spiritus” and Maíno’s “The Pentecost” from San Pedro Mártir
Has Pascal’s Wager Really Been “Debunked”?
I have yet to see an argument that overcomes this stark, simple choice: what’s the worst that can happen if you gamble on God? What’s the worst if you take the other path? Is it really that complicated?