Who would have expected the Glorified Body of Christ, the eternal perfected Body, to include the horrible wounds inflicted on the flesh-and-blood human body here on Earth?
Rossini-Agnus Dei (Petite Messe Solennelle)
Giaochino Rossini Giaochino Rossini was, in his time, considered the most successful composer of operas in history, creating such enduring favorites as The Barber of Seville, La Cenerentola, and William Tell. Then, having composed an astounding 39 operas before his 37th birthday in 1829, he simply stopped. For the rest of his life, until his … Continue reading Rossini-Agnus Dei (Petite Messe Solennelle)
Eucharistic Adoration: Sitting at the Feet of the Lord
Most of us can probably identify with Martha: always “worried about many things”, and too distracted to notice the Lord. Adoration is a great opportunity to give our “inner Martha” a rest and, like Mary, choose “the better part”. After all, what is Eucharistic Adoration, if not watching and listening at the feet of Jesus?
Practical Apologetics: The Geometry of Faith
outside.” Those of us who have been out and now are in (back in, for some of us) know how true it is. And it stands to reason: as both a worldly and a spiritual entity, the Church cannot be contained within purely physical bounds.
The Bishops, the Politicians, and Abortion: What Would St. John Fisher Do?
You may not be interested in war, but war is interested in you. The quote above is often attributed to communist revolutionary Leon Trotsky. There is no record of his actually having said it, but it's widely repeated because it pithily sums up a terrifying truth about the relentlessness of war. In an age when a large … Continue reading The Bishops, the Politicians, and Abortion: What Would St. John Fisher Do?
Music Monday- ‘Dark Night of the Soul’ by Ola Gjeilo
My Monday Music selections are usually compositions from the treasury of Catholic sacred music, some of them centuries old. There are still some composers even today, however, who are composing music worthy of that tradition. A couple months ago I posted a setting to the "Te Deum" by Pedro Camacho. The words to the hymn … Continue reading Music Monday- ‘Dark Night of the Soul’ by Ola Gjeilo
Finding the Future in the Past: Why The Latin Mass is not Going Away
The scene is a parish church. A congregation has assembled for Sunday Mass. The opening hymn begins with a grand flourish. The celebrant processes into the church amid alleluias and mighty blasts from the organ. We reach a mini-climax. The music ends. Then, there is a moment of silence while the celebrant adjusts his microphone. He smiles. And what … Continue reading Finding the Future in the Past: Why The Latin Mass is not Going Away
Darmok and Jalod Ad Orientem (Cardinal Sarah was Right)
The Tamarian captain understands that actions, that experiences, can communicate in ways that words cannot, which is of course as true of human beings as much as it is of fictional extraterrestrials. This is a large part of why so many religions rely on ritual and formal rites: the actions communicate to us much more deeply than mere words, because we are actually living out what they want to convey. In fact, the true meaning of the term “mystery” (from the Greek μυστήριον) is not something unknowable, but something that can only be known experientially, through doing. Traditional Christianity tells us that God uses these mysteries as a means not only of imparting His Grace, but of revealing himself to us.
‘Nisi Dominus’: Arrows in the Hand of a Warrior
Nisi Dominus from Monteverdi's Vespro Della Beata Vergine * Nisi Dominus: Unless the Lord Builds the House . . . Claudio Monteverdi (1567-1643) was probably the most important composer in the transition from Renaissance Polyphony to Baroque. This beautiful piece from his Vespers composition, Vespro della Beata Vergine (1610), is a musical setting for Psalm 127 … Continue reading ‘Nisi Dominus’: Arrows in the Hand of a Warrior
Monteverdi’s ‘Nisi Dominus’: Arrows in the Hand of a Warrior
Claudio Monteverdi (1567-1643) was probably the most important composer in the transition from Renaissance Polyphony to Baroque. This beautiful piece from his Vespers composition, Vespro della Beata Vergine (1610), is a musical setting for Psalm 127 (sometimes listed as Psalm 126). This particular psalm (printed in full below the music video) has always resonated with me. … Continue reading Monteverdi’s ‘Nisi Dominus’: Arrows in the Hand of a Warrior